Dilip Barad | Teacher Blog
Dilip Barad's Blog
Sunday, 28 September 2025
Carl Sagan Dragon in the Garage
Monday, 25 August 2025
Pushpak Vimana and Myths of Flight Across Cultures
✈️ Pushpak Vimana and Its Parallels: Myths of Flight Across Cultures
🔍 Is Generative AI Biased Against Indian Knowledge Systems (IKS)?
Recently, there have been growing claims that Generative AI tools are biased against Indian Knowledge Systems (IKS). One example often cited is the case of Pushpaka Vimana — the flying chariot mentioned in the Ramayana.
It is true that some AI models like DeepSeek are openly aligned with national interests (for instance, they avoid responses critical of the Chinese government). But when it comes to OpenAI’s ChatGPT, the question is: Is it biased against IKS?
To check this, we can apply a simple test:
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If ChatGPT accepts other cultural myths about flying objects (Greek, Mesopotamian, Norse, etc.) as scientific facts while dismissing only the Pushpaka Vimana as myth → that would signal bias.
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But if all such flying objects across civilizations are consistently treated as mythical rather than scientific, then it shows ChatGPT is applying a uniform standard, not bias.
👉 In other words, the issue is not whether Pushpaka Vimana is labeled myth, but whether different knowledge traditions are treated with fairness and consistency.
This raises a larger question for us as educators, researchers, and technologists: How do we evaluate Gen AI’s handling of cultural knowledge while ensuring it does not perpetuate epistemic bias?
One of the most fascinating debates around Indian Knowledge Systems (IKS) is the claim that ancient India already had advanced technology. The Pushpak Vimana from the Ramayana is often cited as proof that aircraft existed in antiquity. Modern science, however, calls it a myth.
This raises an important question:
👉 Is GenAI biased against Indian culture when it calls Pushpak Vimana a myth?
The short answer is: No.
GenAI applies the same standard to all cultures—Greek, Norse, Chinese, Mesopotamian. Their flying chariots, ships, and winged devices are also treated as mythological imagination, not as technological fact.
Myths of Flight Across Civilizations
Human beings have always dreamed of flight. Long before aeronautics, our ancestors imagined gods, heroes, and mortals soaring across the skies. Here are some striking parallels to Pushpak Vimana:
🌸 Indian Mythology
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Pushpak Vimana – The flying chariot of Kubera, Ravana, and Rama. It could travel anywhere at will. In today’s pseudoscience, it is sometimes interpreted as evidence of advanced aviation.
🇬🇷 Greek Mythology
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Helios’ Sun Chariot – The sun god rode a golden chariot pulled by winged horses across the sky.
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Pegasus – The winged horse carrying Bellerophon into battle.
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Triptolemus’ Winged Chariot – A gift from Demeter to spread agriculture.
Hermes’ Winged Sandals – Magical footwear that allowed the messenger god to fly.
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Daedalus and Icarus’ Wings – Crafted from feathers and wax, often interpreted as the closest “technological” myth of aviation.
❄️ Norse Mythology
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Skidbladnir – A magical ship of the god Freyr that could fly, sail, and even fold into a pocket.
🐉 Chinese Mythology
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Immortals on Dragons and Cranes – Daoist sages traveled through the skies on mythical creatures.
🌍 Mesopotamian Mythology
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Celestial Boats of the Gods – Vehicles that carried deities across the heavens like Solar Barque
Science or Myth?
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None of these stories—Indian or Greek, Norse or Chinese—meet the modern criteria of scientific evidence.
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They are regarded as myths, symbols, or allegories.
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For example:
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Pushpak symbolizes divine order and the victory of dharma.
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Daedalus’ wings symbolize human ambition and the dangers of hubris.
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Helios’ chariot symbolizes the cosmic cycle of day and night.
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Why This Is Not Bias
Some argue that calling Pushpak Vimana a myth is a Western or GenAI bias against (Indian Knowledge System) IKS. But this is not true.
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Equal Treatment Across Cultures – Pushpak is called a myth, but so are Daedalus’ wings, Helios’ chariot, Pegasus, and Freyr’s ship.
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No Special Privilege – Greek myths are not upgraded to “technology.” They, too, remain myths.
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Shared Human Imagination – These stories reflect a universal human longing for flight—centuries before modern aeronautics.
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Cultural Fairness – GenAI is consistent. It does not single out India; it applies the same standard everywhere.
✨ Conclusion
When GenAI calls Pushpak Vimana a myth, it is not dismissing Indian culture. It is recognizing what it does with all world cultures: myths are powerful, symbolic stories of human imagination, not blueprints of ancient engineering.
The lesson here is important—GenAI is not biased against IKS. On the contrary, it places Indian mythology in the same universal category as Greek, Norse, Chinese, and Mesopotamian myths. Far from devaluing them, this comparison highlights the shared creativity of humanity—our timeless dream of taking to the skies.
👉 This perspective not only defends IKS against charges of dismissal but also opens up a global comparative study of mythology. Myths of flight remind us that across cultures, humans looked at the sky and imagined freedom, divinity, and transcendence long before the Wright brothers ever built their aircraft.
Saturday, 23 August 2025
Transformative Role of Universities in a Changing World
The Transformative Role of Universities in a Changing World
The speech in Hindi can be listened here:
AI-generated text summary:
AI-generated mind map:
Saturday, 16 August 2025
Uncomfortable Truth Hindu Nationalism
The Uncomfortable Truth: How Well-Intentioned Ideas May Have Paved the Way for Hindu Nationalism
1. Turning Criticism into Treason: The "Mental Slavery" Mantra
2. Making Science Just Another Belief System: The Relativisation of Truth
3. Attacking Secularism as a Foreign Disease: Undermining a Foundational Principle
4. Romanticising the "Pure God-Loving Common Man": Fueling Populist Poison
What Are We, the Citizens, Supposed to Do?
Wednesday, 30 July 2025
NEP@5 - Beyond Tokenism
NEP@5—Beyond Tokenism: Pedagogical and Structural Strategies for Effective NEP 2020 Execution
DOI: 10.13140/RG.2.2.17803.60966
ABSTRACT
Five years into the implementation of the National Education Policy 2020, Indian higher education institutions continue to grapple with the practical challenges of translating its vision into actionable pedagogy. This paper critically examines gaps in implementation, specifically the lack of NEP-based schooling before undergraduate admissions, the over-reliance on MOOCs for interdisciplinary learning, and unresolved issues with employment frameworks. A cluster model integrating constituent colleges and postgraduate departments is proposed to enable authentic interdisciplinary learning. The paper also highlights the need to reconceptualize interdisciplinarity through thematic, problem-based, and team-taught courses.
Keywords: NEP 2020, Interdisciplinary Education, Higher Education Reform, Cluster Model, Teacher Training
1. INTRODUCTION
The National Education Policy 2020 (NEP 2020) aims to transform India's education system by encouraging flexibility, holistic and multidisciplinary education, and skill development (MHRD, 2020). Five years after its adoption, it is imperative to reflect on its implementation trajectory and identify areas that require recalibration. While NEP 2020 has begun to reshape undergraduate programmes across several universities, the school education system (Classes 9 to 12) remains largely unreformed. This misalignment creates a significant pedagogical and systemic gap, which poses challenges in fulfilling the policy’s holistic vision.
This paper explores the implications of these gaps and offers a cluster-based model for institutional collaboration to implement the interdisciplinary mandates of NEP 2020 meaningfully. It also critiques the current practices of multidisciplinary education, suggesting a thematic and integrated framework as an alternative.
Click here to read entire write-up
Wednesday, 23 July 2025
Arab Scholars and European Renaissance
🕌 How Arab Scholars Shaped the European Renaissance: A Historical Retrospective
The European Renaissance, often portrayed as a rediscovery of Greek and Roman knowledge, was deeply rooted in the intellectual and scientific traditions of the Islamic world. Between the 8th and 14th centuries, during what historians call the Islamic Golden Age, Arab and Muslim scholars not only preserved classical knowledge but also expanded upon it, making original contributions in fields as diverse as mathematics, astronomy, medicine, optics, and philosophy. This blog post examines the verified impact of Arabic scientific and philosophical advances on the Renaissance and explains how this knowledge reached and transformed Europe.
🏛️ 1. Preservation & Transmission of Classical Knowledge
During the Islamic Golden Age, scholars translated works by Greek, Indian, and Persian thinkers—such as Aristotle, Euclid, Ptolemy, Galen, and Brahmagupta—into Arabic. This vast intellectual effort was centered in places like Baghdad’s House of Wisdom. These Arabic texts later reached Europe via Spain (Toledo) and Sicily, where they were translated into Latin and incorporated into Christian universities, triggering a wave of intellectual revival during the 12th century Renaissance.
🧮 2. Mathematics & Numeral Systems
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Al-Khwarizmi, a Persian polymath in Baghdad, authored Kitab al-Jabr wa’l-Muqabala, laying the foundations of algebra. The term algebra itself comes from al-jabr, and his Latinized name gave rise to the term algorithm.
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He also promoted the Hindu-Arabic numeral system, introducing the concept of zero to Europe, which revolutionized computation.
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Scholars like Al-Jayyani advanced spherical trigonometry, used in astronomy and navigation.
🔗 Ibn Muʿādh al-Jayyānī – Wikipedia
🌌 3. Astronomy & Celestial Models
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Al-Battānī (Albategnius) made accurate calculations of the solar year and refined planetary motion models. His astronomical tables were used by Copernicus and others.
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Ibn Yunus developed the Zij al-Kabir al-Hakimi, one of the most accurate pre-modern astronomical tables.
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Ibn al-Shatir reformed Ptolemaic models with geometric mechanisms that anticipated Copernicus's heliocentric system, including the use of the Tusi-couple.
🔗 Al-Battani – Wikipedia
🔗 Ibn Yunus – Wikipedia
🔗 Ibn al-Shatir – Wikipedia
🔭 4. Optics & Early Scientific Method
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Ibn al-Haytham (Alhazen), often credited as a precursor of the scientific method, authored Kitab al-Manazir (Book of Optics). He argued that light enters the eye from external sources (opposing the earlier Greek theory of emission) and used experimental design to test his hypotheses.
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His influence can be seen in the works of Roger Bacon, Kepler, Witelo, and Descartes.
⚕️ 5. Medicine & Medical Knowledge
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Avicenna (Ibn Sina) wrote The Canon of Medicine, a five-volume encyclopedia that remained the standard European medical text until the 17th century. He recognized contagion, pharmacology, and psychosomatic illness centuries before modern theories.
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Al-Razi (Rhazes) distinguished smallpox from measles and emphasized clinical observation and experimental medicine.
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Islamic physicians also pioneered surgical instruments, hospitals, and quarantine methods.
🔗 Avicenna: The Persian Polymath – Time Magazine
🔗 Golden Age of Islamic Medicine – Muslim in History and The Golden Age of Arab Islamic Medicine
📚 6. Philosophy & Scholastic Influence
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Averroes (Ibn Rushd) reinterpreted Aristotle and became known in Europe as The Commentator. His works helped shape European Scholasticism, particularly the philosophy of Thomas Aquinas.
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Thinkers like Avicenna, Al-Farabi, and Al-Ghazali fused Greek logic with Islamic theology, paving the way for rational inquiry and early Renaissance humanism.
🔗 Islamic Knowledge and the Renaissance – Curialo
🏫 7. Institutions & Intellectual Infrastructure
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The House of Wisdom in Baghdad was a multicultural research center where Muslims, Christians, and Jews collaborated.
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Al-Andalus (Muslim Spain) was a cultural and scientific hub; cities like Córdoba and Toledo fostered religious coexistence and knowledge transfer.
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Translation efforts in Toledo, led by figures such as Gerard of Cremona, translated Arabic texts into Latin, igniting academic progress across Europe.
🔗 The Islamic Renaissance – Rationalia
🔗 Islamic Golden Age – BeeZone
🧾 Summary Table
📚 Field | 🧠 Key Contributors | 🧪 Contributions to Europe |
---|---|---|
Mathematics | Al-Khwarizmi, Al-Jayyani | Algebra, numerals, trigonometry, algorithms |
Astronomy | Al-Battani, Ibn Yunus, Ibn al-Shatir | Accurate tables, planetary models |
Optics | Ibn al-Haytham | Scientific method, vision theory, experimental design |
Medicine | Avicenna, Al-Razi | Medical texts, diagnostics, hospitals, pharmaceuticals |
Philosophy | Averroes, Avicenna, Al-Farabi | Rationalism, Aristotle’s revival, Scholasticism |
Knowledge Transfer | House of Wisdom, Toledo School | Latin translations, interfaith collaboration |
📚 References
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“Al-Battani.” Wikipedia, https://en.wikipedia.org/wiki/Al-Battani .
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“Ibn Yunus.” Wikipedia, https://en.wikipedia.org/wiki/Ibn_Yunus.
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“Ibn al-Shatir.” Wikipedia, https://en.wikipedia.org/wiki/Ibn_al-Shatir.
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“Ibn al-Haytham.” Wikipedia, https://en.wikipedia.org/wiki/Ibn_al-Haytham.
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“Al-Khwarizmi.” Wikipedia, https://en.wikipedia.org/wiki/Muhammad_ibn_Musa_al-Khwarizmi.
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“Ibn Muʿādh al-Jayyānī.” Wikipedia, https://en.wikipedia.org/wiki/Ibn_Mu%27adh_al-Jayyani.
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“Avicenna, or Ibn Sina.” Time, 7 Aug. 2018, https://time.com/5359483/google-doodle-avicenna-ib-sina/.
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“Golden Age of Islam.” Muslim in History, https://musliminhistory.com/golden-age-of-islam.
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“The Islamic Renaissance.” Rationalia, https://www.rationalia.in/am_ET/blog/philosophy-3/the-islamic-renaissance-25.
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“Islamic Golden Age.” BeeZone, https://beezone.com/bee/the-islamic-golden-age.html.
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“How Islamic Knowledge Sparked the European Renaissance.” Curialo, https://curialo.com/how-islamic-knowledge-sparked-the-european-renaissance/.
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Risoi Bakhromzod. “Legacy of Avicenna in Astronomy.” arXiv, 23 May 2025, https://arxiv.org/abs/2505.18219.
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Heydari-Malayeri, M. “The Persian-Toledan Astronomical Connection and the European Renaissance.” arXiv, 2007, https://arxiv.org/abs/0711.1692.
📌 Endnote
This blog post was developed with the assistance of ChatGPT (2025 version), an advanced AI model by OpenAI, which enabled comprehensive cross-verification of historical data, factual refinement, and MLA-style referencing. The research direction, prompt design, and thematic focus were conceptualized and curated by Prof. Dilip Barad, drawing from his academic expertise in English Studies, digital pedagogy, and the history of knowledge transmission. The integration of AI and scholarly intent demonstrates the productive synergy between human intellect and generative tools in educational writing.
Tuesday, 8 July 2025
PulpFiction FightClub
Revisiting Cult Classics: The Enduring Relevance of Fight Club and Pulp Fiction
Rewatching David Fincher’s Fight Club (1999) and Quentin Tarantino’s Pulp Fiction (1994) after two decades is like peeling away the layers of cinematic history to reveal how deeply these films have etched themselves into the cultural psyche. Despite the time gap, both these seminal works remain startlingly fresh, subversively relevant, and cinematically compelling. Their influence on global and Indian filmmaking is not only visible in stylistic mimicry but in the very grammar of postmodern cinema that these films helped to define.
At the heart of their cult status lies their trenchant critique of late capitalism, consumer culture, and modern identity. In Fight Club, Edward Norton’s unnamed narrator—fractured, alienated, and numbed by the vacuity of corporate life—embodies the postmodern subject lost in the simulacrum of advertising and brand fetishism. The film’s anarchist alter ego, Tyler Durden, functions not merely as a character but as an ideological specter—part Nietzschean Übermensch, part Situationist rebel—who exposes the hollow promise of individualism under neoliberalism. His iconic lines like “The things you own end up owning you” continue to resonate in a world even more commodified than the one Fincher depicted.
Tarantino’s Pulp Fiction, on the other hand, revolutionized narrative form itself. The film deconstructs linear storytelling, embracing the in medias res structure, temporal disjunction, and multiple character arcs that challenge traditional narrative coherence. This kind of narrative fragmentation—akin to Bakhtin’s concept of heteroglossia and Barthes' idea of the writerly text—demands active spectatorship and reflects the fragmented reality of postmodern life. Characters like Jules Winnfield, Vincent Vega, Mia Wallace, and Butch Coolidge are not merely characters but stylized constructs that embody genre hybridity, moral ambiguity, and existential flair.
What makes both films timeless is their blend of aesthetic experimentation and philosophical depth. Whether it is Fincher’s use of hyper-stylized, gritty urban mise-en-scène and nihilistic voiceover narration, or Tarantino’s pop-cultural pastiche, intertextual references, and ironic juxtaposition of violence and humour—these are not just stylistic gimmicks but formal articulations of a postmodern worldview.
Influence and Legacy
The legacy of Fight Club and Pulp Fiction is expansive. Their stylistic and thematic DNA can be traced in numerous films across the globe. In Hollywood, films such as American Psycho (2000), Memento (2000), Requiem for a Dream (2000), and The Machinist (2004) clearly bear the imprint of Fight Club’s unreliable narration, hallucinatory aesthetics, and psychological depth. Christopher Nolan’s Memento, in particular, exemplifies the postmodern condition of fractured memory and subjective truth—concepts central to Fight Club’s split-identity narrative.
Tarantino’s influence on global cinema is even more ubiquitous. His love for nonlinear storytelling, genre-bending, and pop-culture-infused dialogue can be seen in films like Lock, Stock and Two Smoking Barrels (1998), Snatch (2000), and even Trainspotting (1996), which—though directed by Danny Boyle—shares Pulp Fiction’s punkish energy and moral irreverence.
Indian Cinematic Echoes
In India, several films have attempted to emulate or reinterpret the narrative and thematic paradigms set by these cult classics. Anurag Kashyap’s No Smoking (2007), Shaitan (2011), and Raman Raghav 2.0 (2016) reflect a deep engagement with Fight Club’s psychological disintegration and stylized violence. Kashyap himself has acknowledged the impact of both Fincher and Tarantino on his cinematic sensibility.
Sriram Raghavan’s Johnny Gaddaar (2007) and Andhadhun (2018) are further examples of how Indian cinema has adopted nonlinear narrative and genre subversion in ways reminiscent of Pulp Fiction. Even Delhi Belly (2011), with its profanity-laced dialogue, underworld absurdity, and ensemble cast, functions as an Indian homage to Tarantino’s storytelling techniques.
The Aura of the Characters
Characters such as Tyler Durden, Jules Winnfield, Vincent Vega, and Mia Wallace transcend the boundaries of narrative to become cultural archetypes. They exist in what Umberto Eco might call the "intertextual encyclopedia" of cinema—a space where their iconicism is constantly recycled, reinterpreted, and re-embodied. Tyler Durden, with his anti-establishment charisma and destructive liberation, continues to represent the chaos lurking beneath modern masculinity. Jules Winnfield, with his blend of Biblical fury and gangster cool, remains a figure of moral paradox and theatrical bravado.
Their aura, to borrow Walter Benjamin’s term, has not diminished but rather intensified with time. In the age of meme culture, remixes, and nostalgia-driven fandom, these characters have taken on a spectral afterlife. They are continually resurrected in digital discourse, cosplay, advertising, and even political commentary.
Final Thoughts
In the final analysis, Fight Club and Pulp Fiction endure not merely because of their themes or characters but because they mark a shift in cinematic ontology. They challenge viewers to rethink not just what a film says but how it says it. They anticipate a world where identity is performative, reality is fractured, and narrative is no longer a straight line but a Möbius strip.
To revisit them is not to relive the past, but to realize how much of our present was already anticipated by them. Their continued relevance is a testament to the power of cinema to both mirror and shape the cultural imagination.
Works Cited
Films:
American Psycho. Directed by Mary Harron, performances by Christian Bale and Willem Dafoe, Lions Gate Films, 2000.
Andhadhun. Directed by Sriram Raghavan, performances by Ayushmann Khurrana and Tabu, Viacom18 Motion Pictures, 2018.
Delhi Belly. Directed by Abhinay Deo, performances by Imran Khan and Vir Das, Aamir Khan Productions, 2011.
Fight Club. Directed by David Fincher, performances by Edward Norton, Brad Pitt, and Helena Bonham Carter, 20th Century Fox, 1999.
Johnny Gaddaar. Directed by Sriram Raghavan, performances by Neil Nitin Mukesh and Dharmendra, Adlabs Films, 2007.
Lock, Stock and Two Smoking Barrels. Directed by Guy Ritchie, performances by Jason Flemyng and Dexter Fletcher, Summit Entertainment, 1998.
Memento. Directed by Christopher Nolan, performances by Guy Pearce and Carrie-Anne Moss, Newmarket Films, 2000.
No Smoking. Directed by Anurag Kashyap, performances by John Abraham and Ayesha Takia, Eros International, 2007.
Pulp Fiction. Directed by Quentin Tarantino, performances by John Travolta, Uma Thurman, and Samuel L. Jackson, Miramax Films, 1994.
Raman Raghav 2.0. Directed by Anurag Kashyap, performances by Nawazuddin Siddiqui and Vicky Kaushal, Phantom Films, 2016.
Requiem for a Dream. Directed by Darren Aronofsky, performances by Ellen Burstyn and Jared Leto, Artisan Entertainment, 2000.
Shaitan. Directed by Bejoy Nambiar, performances by Rajeev Khandelwal and Kalki Koechlin, Viacom18 Motion Pictures, 2011.
Snatch. Directed by Guy Ritchie, performances by Jason Statham and Brad Pitt, Columbia Pictures, 2000.
Trainspotting. Directed by Danny Boyle, performances by Ewan McGregor and Robert Carlyle, PolyGram Filmed Entertainment, 1996.
Theoretical and Critical Texts:
Barthes, Roland. S/Z. Translated by Richard Miller, Hill and Wang, 1974.
Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. Translated by Harry Zohn, Schocken Books, 1968.
Bakhtin, Mikhail. The Dialogic Imagination: Four Essays. Edited by Michael Holquist, translated by Caryl Emerson and Michael Holquist, University of Texas Press, 1981.
Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser, University of Michigan Press, 1994.
Debord, Guy. The Society of the Spectacle. Translated by Donald Nicholson-Smith, Zone Books, 1994.
Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Texts. Indiana University Press, 1979.
Nietzsche, Friedrich. Thus Spoke Zarathustra. Translated by R. J. Hollingdale, Penguin Classics, 1969.