Purican Age

 

The Puritan Age (1620–1660): A Comprehensive Literary and Historical Synthesis

1. The Puritan Movement: A Moral and Political Rebirth

To understand the Puritan movement is to look beyond the caricature of the "gloomy dogmatist" and recognize what we must frame as a "second and greater Renaissance." While the Italian Renaissance was essentially pagan and sensuous, offering little relief from the moral and political degradation of the Medici or the Borgias, the Puritan movement in England represented a profound national awakening. It was a strategic rebirth of man’s moral nature, centering on a dual pursuit of personal righteousness and civil liberty. We must view this era not as the rise of a narrow religious sect, but as a teleological shift in the English consciousness—a movement that aimed to make men fundamentally honest and fundamentally free.

The primary objectives of the movement—honesty and freedom—served as the catalysts for the overthrow of systemic despotism. While much historiography fixates on the "froth" of the era—the austere laws and the prohibition of Maypole dancing—this surface noise should not obscure the "mighty current" of justice that defines the period’s legacy. This was a movement of historic proportions: it was a Puritan, Thomas Hooker, who gave the world the first written constitution in Connecticut, a document where freemen explicitly limited the powers of their elected officers. This passion for liberty secured life and property from the tyranny of rulers, yet as the political victory over "divine right" was won, it inevitably led to a fragmentation of national unity and a subsequent collapse of unified literary ideals.

2. Transitional Shifts: From Elizabethan Vitality to Puritan Reflection

The seventeenth century marks a decisive departure from the romantic ardor that defined the Elizabethan age. As the sixteenth century’s youthful enthusiasm waned, it was replaced by a critical, intellectual spirit. This was an era of fermentation where the shared patriotism of the previous generation dissolved into a landscape of partisan struggle. We see a transition from the heart-led sentiments of the past toward more complex, often somber reflections on the human condition, necessitated by the intellectual trauma of losing a unified national identity.

To appreciate this shift, one must contrast the fundamental differences between Elizabethan and Puritan literature:

• Unity vs. Division: Elizabethan literature enjoyed a marked unity born of devotion to a sovereign who sought the nation’s welfare. Under the Stuarts, this was replaced by division; the kings became enemies of the people, and literature became as fragmented as the parties struggling for religious liberty.
• Vitality vs. Sadness: While Elizabethan works throbbed with youth, Puritan-age literature often spoke of age and pessimism. Writers frequently cried "Ichabod! the glory has departed"—a sentiment rooted not in mere religious gloom, but in the breaking up of old ideals in government and religion.
• Romanticism vs. Intellectualism: The intense, heart-driven romance of the Elizabethans was superseded by a critical spirit. In the Puritan age, romance became an intellectual exercise characterized by fantastic and artificial adornment of speech, replacing the natural utterance of true sentiment.

These changing standards and the loss of a fixed literary center provided the fertile, if chaotic, ground for the emergence of the "Transition Poets."

3. The Diverse Landscape of Seventeenth-Century Poetry

In the absence of fixed literary standards, the first half of the seventeenth century witnessed a "bewildering confusion of ideals." This period was characterized by a lack of accurate classification as various schools of poetry emerged in open rebellion against the styles of the past. The resulting landscape was one of startling variety, where the realism of the modern world began to intrude upon the fading allegories of the medieval.

The Transition Poets

Led by Samuel Daniel, these writers consciously deserted Spenser as a model. Daniel utilized the artificial sonnet but sought a "modern and realistic" style, setting himself against the "aged accents and untimely words" of past traditions to paint life as it truly is.

The Spenserian Poets

This group, including Giles Fletcher and George Wither, clung to older ideals. Fletcher’s Christ’s Victory and Triumph achieved a religious majesty that foreshadowed Milton. George Wither, who served as an epitome of the age’s political shifts from Royalist to Puritan, notably published the first English hymn book in 1623, signaling the move toward a more personal, liturgical expression.

The Metaphysical School

Led by John Milton’s contemporaries like John Donne and George Herbert, this "fantastic school" broke Elizabethan standards with "boldness and originality." Donne’s work was marked by an intellectual rigor and a sense of mystery, while Herbert’s poetry represented the first instance of a poet speaking "face to face with God." Within this school, we also find the "foregleams" of the next century: Abraham Cowley’s "Pindaric Odes" and Edmund Waller’s "closed couplet," which would eventually dominate English verse.

The Cavalier Poets

Figures like Herrick, Carew, Suckling, and Lovelace represented the "sensual and religious" paradox of the Royalists. Their work was often gay and trivial, yet even the most careless among them—such as Herrick in his "Litany"—could not escape the underlying religious terror of the Puritan spirit.

Amidst this poetic fragmentation, it was John Milton who ultimately unified the culture of the Renaissance with the moral earnestness of the Puritan movement.

4. The Master of the Epic: John Milton

John Milton stands as the "poet of steadfast will," a figure whose life and work were governed by a fixed purpose. This contrasts sharply with Shakespeare, the "poet of impulse," who mirrored the shifting passions of men. For Milton, art was an extension of the soul; he famously argued that he who would write well "ought himself to be a true poem." He was the heir of one great age and the prophet of another, adding to Renaissance beauty the tremendous moral earnestness of the Puritan.

Milton’s literary career followed three distinct phases:

1. The Horton Period (1632–1638): In six years of solitary study, Milton produced works of "exquisite finish," including L’Allegro, Il Penseroso, and Lycidas. These poems represent the high-water mark of lyric poetry, combining Elizabethan aesthetic grace with an emerging Puritan moral purpose.
2. The Militant Prose Period (1640–1660): Milton sacrificed his poetic ambitions and eventually his eyesight on the "altar of English liberty." Serving as Secretary for Foreign Tongues, he produced the Areopagitica, a seminal plea for the freedom of the press. Most notably, when warned that further strain would cost him his sight, he chose to write the Defensio pro Populo Anglicano to justify the people's right to defend themselves against tyranny.
3. The Final Epics: In his final years of blindness, Milton returned to his early dreams, producing the "colossal" Paradise Lost—an epic not of a man, but of the whole race. He followed this with Paradise Regained and finally Samson Agonistes, a tragedy reflecting his own personal status as a blind, scorned champion of a lost cause.

While Milton reached the scholarly heights of the Renaissance, the era’s spirit was captured with equal power in the humble, yet profound, prose of John Bunyan.

5. The Prose of the People: John Bunyan and the Great Allegory

If Milton represents the Renaissance-educated peak of the movement, John Bunyan represents the commanding extreme of religious individualism. A poor, uneducated tinker, Bunyan’s work sprang from the spiritual ferment of the common man, proving that the "accent of the Holy Ghost" was not confined to the elite. Together, the scholar and the tinker bookend the seventeenth century, demonstrating the vast breadth of the Puritan movement across English class lines.

The enduring impact of The Pilgrim's Progress lies in its status as a "real story" rather than a mere procession of shadows. Unlike other allegories, Bunyan’s characters are living men and women. His critique of contemporary social structures is most vividly seen in the jury of Vanity Fair, where characters like Mr. Blindman, Mr. Nogood, Mr. Heady, and Mr. Liveloose represent the systemic injustice of the era. Written in "terse, idiomatic prose," the work made the complex doctrine of salvation accessible to all, becoming the first extended story in the English language to achieve universal popularity.

While Bunyan and Milton dominate the landscape, several "Minor Prose Writers" provided a necessary counter-balance to the era’s storms:

• Robert Burton: Whose Anatomy of Melancholy is a vast hodgepodge of classic wealth.
• Sir Thomas Browne: Whose Religio Medici and Urn Burial treated science and revelation with a reverent, kindly tolerance.
• Thomas Fuller: The witty chronicler of the Worthies of England.
• Jeremy Taylor: The "Shakespeare of divines," who authored Holy Living and Dying.
• Richard Baxter: The tireless nonconformist who wrote The Saints' Everlasting Rest.
• Izaak Walton: Whose The Compleat Angler provided a sense of "inward calm" amidst "outward storm."

6. Pedagogical Directives: Critical Inquiry for Post-Graduate Students

For the post-graduate scholar, it is vital to develop a "historical sense" when assessing the Puritan Age. One must perceive the "inward calm" found in Walton’s angling not merely as an escape, but as a strategic survival of the mind during political upheaval. These texts are not artifacts; they are the intellectual records of a nation renegotiating its soul.

Deep-Thinking Prompts for Student Analysis

1. The Comparative Intellectual: Evaluate the fundamental differences between Shakespeare and Milton. Contrast Shakespeare’s "knowledge of men" with Milton’s pursuit of an "ideal man," and discuss how the shift from "impulse" to "purpose" redefined English poetics.
2. The "Second Renaissance" Theory: Critically assess the movement as a "second and greater Renaissance." Did the Puritan focus on moral nature fulfill the intellectual awakening of the 15th century, or was it a rejection of the pagan and sensuous values that defined the earlier period?
3. The Tension of Art: Using the works of Robert Herrick, analyze the internal struggle between the "Cavalier" and the "Puritan." How does his poetry manage to be simultaneously "pagan in spirit" and mastered by "religious terror"?
4. Literary Evolution: Discuss the "Metaphysical" revolt against Elizabethan style. To what extent did John Donne’s "boldness" and his destruction of traditional standards pave the way for the original and intellectual spirit of modern literature?

Blog Strategy Checklist

• Analytical Prose: Move beyond summary; synthesize political upheaval with aesthetic fragmentation.
• The "So What?" Layer: Address why the "Ichabod" sentiment matters to modern readers facing their own shifts in national identity.
• Logical Structure: Link the "historical sense" to specific texts—for example, connect Walton’s peaceful prose to the necessity of mental refuge during the Commonwealth.
• Source Fidelity: Ensure all claims regarding the Connecticut constitution, the first hymn book, and the jurors of Vanity Fair are cited with historical accuracy.