Friday, 23 April 2021
Cultural Studies: Retellings of Shakespeare's Plays
Friday, 2 April 2021
Fantasy and Religious Vision in the Twentieth Century Literature
Fantasy and Religious Vision in the Twentieth Century Literature
The Chronicles of Narnia
The Lord of the Rings
CS Lewis did not originally set out to incorporate Christian theological concepts into his Narnia stories; it is something that occurred as he wrote them. As he wrote in his essay Sometimes Fairy Stories May Say Best What's To Be Said (1956):
Some people seem to think that I began by asking myself how I could say something about Christianity to children; then fixed on the fairy tale as an instrument, then collected information about child psychology and decided what age group I’d write for; then drew up a list of basic Christian truths and hammered out 'allegories' to embody them. This is all pure moonshine. I couldn’t write in that way. It all began with images; a faun carrying an umbrella, a queen on a sledge, a magnificent lion. At first there wasn't anything Christian about them; that element pushed itself in of its own accord.
Lewis, an expert on the subject of allegory and the author of The Allegory of Love, maintained that the Chronicles were not allegory on the basis that there is no one-to-one correspondence between characters and events in the books, and figures and events in Christian doctrine. He preferred to call the Christian aspects of them "suppositional". This indicates Lewis' view of Narnia as a fictional parallel universe. As Lewis wrote in a letter to a Mrs Hook in December 1958:
If Aslan represented the immaterial Deity in the same way in which Giant Despair [a character in The Pilgrim's Progress] represents despair, he would be an allegorical figure. In reality, however, he is an invention giving an imaginary answer to the question, 'What might Christ become like if there really were a world like Narnia, and He chose to be incarnate and die and rise again in that world as He actually has done in ours?' This is not allegory at all. (Wikipedia)
India in the Twentieth Century European Literature
India in the Twentieth Century European Literature
a. Rudyard
Kipling: Kim (1901)
b. E
M Forster: A Passage to India (1924)
c. T
S Eliot: The Waste Land (1918-22)
d. Herman
Hesse: Siddhartha (1922)
e. Virginia
Woolf: To the Lighthouse (1927)
f. H.G.
Wells: Around the World in Eighty Days (1872-73)
Rudyard Kipling: Kim (1901)
Kipling’s ideal of imperialism in India was that of a paternalistic, quasi-feudal imperial one. As “legitimate” and benevolent rulers, the British took a privileged position at the top of the social chain with a systematic mode of government . Kipling could have easily been influenced by the spreading ideal of social Darwinism, a societal spin on Darwin’s order of the natural world. For Kipling, hierarchy was natural and was determined by survival of the fittest. Imperialism could not be corrupt to Kipling, because social order is fated, therefore moral.In Kim, it is obvious that Kipling did not see imperialism as any type of disruption, exploitation, or subjugation, but as economic development and moral enlightenment for India. In the novel, working as a spy for the British Empire and looking for spiritual harmony work side-by-side. British rule is never challenged; instead Kipling uses several minor characters strictly for the purpose of advocating British rule. Although Kipling shows a knowledge of a number of Indian languages and the capability of using many voices, there is no variety of viewpoint. All voices hold one style and one dominant point of view in favor of British imperialism. Kipling’s use of Indian words and phrases lacks any attempt to represent the their cultural specificity.
(Gopen, Shina. 'Rudyard Kipling'. https://scholarblogs.emory.edu/postcolonialstudies/2014/06/11/kipling-rudyard/)
Thursday, 1 April 2021
Dystopian Literature
Dystopian Literature
- Definition and characteristics of Dystopian literature
- Definition and Characteristics - 2
- Utopian & Dystopian Literature
- List of Dystopian Books
- Best Dystopian Books
- 10 Devastating Dystopian Novels
- A Golden Age of Dystopian Fiction
- Rise of Dystopian Fiction
a. George Orwell: Animal Farm (1945), Nineteen Eighty-four (1949)
b. Aldous Huxley: Brave New World (1932)
c. E M Forster: The Machine Stops (1909)(eBook) (Critical appreciation)
d. Franz Kafka: The Trial (1925) (eBook)
e. Ray Bradbury: Fahrenheit 451 (1953) (Critical appreciation)
f. Pierre Boulle: Planet of the Apes (1963)